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Mihaly Munkacsy
Dusty Road I
1874
Hungarian National Gallery, Budapest
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Mihaly Munkacsy
Study for Golgotha
1882
Hungarian National Gallery, Budapest
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Mihaly Munkacsy
Woman Carrying Faggots
1873
Hungarian National Gallery, Budapest
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Mihaly Munkacsy
The Sacrifice of Flowers
1896
Hungarian National Gallery, Budapest
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Mihaly Munkacsy
Wounded Wanderer
1870-76
Walters Art Gallery, Baltimore
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Mihaly Munkacsy
Ecce Homo
1895-96
Deri Museum, Debrecen
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Mihaly Munkacsy
Christ before Pilate
ca 1881
2' 11'' x 3' 9 3/4''(89 x 116 cm)
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Mihaly Munkacsy
christ before pilate
mk247
1881,oil on canvas,164x250 in,417x636 cm,deri museum,debrecen,hungary
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Mihaly Munkacsy
Christ in front of Pilate
Christ in front of Pilate, 1881. Oil on canvas, 417 X 636 cm. Deri Museum, Debrecen (loan till 2007, now in Canada).
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Mihaly Munkacsy
Paradise Lost
Date ca. 1899(1899)
Medium Oil on panel
Dimensions 61 X 49.2 cm (24.02 X 19.37 in)
cyf
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Mihaly Munkacsy
Lifeboat
Date 1847(1847)
Medium Oil on canvas
Dimensions 135 X 190 cm (53.15 X 74.8 in)
cyf
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Mihaly Munkacsy
christ before pilate
1881. Oil on canvas, 417 X 636 cm
cyf
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Mihaly Munkacsy
Le Christ devant Pilate
1881[1]
Medium Oil on canvas[1]
Dimensions 89 x 116 cm (35 x 45.7 in)[1]
cyf
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Mihaly Munkacsy
Pawnshop
1873(1873)
Medium Oil on panel
Dimensions 92 x 72 cm (36.2 x 28.3 in)
cyf
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Mihaly Munkacsy
Pawnshop
1873-1874
Medium Oil on panel
Dimensions 43.3 x 31.5 cm (17 x 12.4 in)
cyf
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Mihaly Munkacsy
A Study for
1899(1899)
Medium oil on panel
Dimensions Height: 61 cm (24 in). Width: 49.2 cm (19.4 in).
cjr
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Mihaly Munkacsy
Az isaszegi csatater
1868(1868)
Medium oil on canvas
cyf
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Mihaly Munkacsy
At the Watering Trough
1869(1869)
Medium oil on canvas
cyf
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Mihaly Munkacsy
The Last Day of a Condemned Man I
1869-70
Medium oil on canvas
cyf
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Mihaly Munkacsy
Study for Milton
1877(1877)
Medium oil on canvas
Dimensions Height: 55.5 cm (21.9 in). Width: 46.4 cm (18.3 in).
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| Mihaly Munkacsy
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1844-1900
Hungarian
Mihaly Munkacsy Locations
Munkacsy started to paint during the years he spent in Arad as a joiner. With the help of partons be studied at the Viennese, Munich and Dusseldorf academies. Munkacsy painted his first major work, the outstanding "The Condemned Cell" in D??sseldorf, in 1872, together with his friend Laszlo Paal, he moved to Paris, where be lived until the end of his life. Munkacsy painted his genres in the style of realism between 1873 and 1875: "Midnight Ramblers", "Farewell". "Churning Woman", "Woman Carryng Brushwood", and "Pawnshop" were the zenith of his career. He married the widow of Baron de Marches in 1874, and his style changed from that time on. Departing from the typical subjects of realism, be produced colourful salon paintings and still-lifes. This was the period when be also turned to ladscape painting; his growing interest is marked by such great paintings as "Dusty Road". "Corn Field", and "Walking in the Woods". The assimilation of Laszlo Paal's style is apparent in the landscapes painted during the 1880s, such as "Avenue" and "The Colpach Park". His realist portraits - e.g. of Franz Liszt and Cardinal Haynald - were also born around this time, together with his religions paintings, such as "Christ in front of Pilate", "Golgotha" and later, "Ecce homo".
Towards the end of his career he painted two monumental works: "Hungarian Conquest" for the House of Parliament and a fresco entitled "Apotheosis of Renaissance, for the ceiling Kunsthistoriches. Museum in Vienna.
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